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When I began my bookselling career, I worked not in used bookshops but in new (ie. independent bookstores selling new books only). And in that context managers, section buyers (of which I was one), and owners were always watching the store’s “turn” or turn-rate. It is an eminently useful business concept I brought with me when I started my own used and rare book business. But despite its utility, in my experience far too few book dealers understand the idea or importance of turnover for their business. Indeed, as I hope to demonstrate, there are few numbers you can know about your business that are as immediately useful and practical as your turnover.


What is turnover?


Turnover is simply the *ratio* between your total inventory and your items sold. This ration can be expressed either as one between the *number* of items sold and the number of items in your inventory *OR* as the ratio between your total sales revenue and the total value of your stock.


So, if you have on average 1000 books catalogued in your inventory during the course of a year and in that year you sell 350 of them, you have a turn rate of .35. Likewise, if your stock has a retail value of $100,000 and in a given year you sell $35,000 worth of material, your turn rate is also .35.


Put perhaps more simply, your turn rate is the percentage of your stock you sell over a given period, expressed either as a percentage of your stock’s value or volume. So in the two cases above, you are selling 35% of your stock in a given year.



Which ratio should I use?


Both have their uses. The former (ratio by number in stock) lets you know how quickly you sell your inventory. The latter (ratio of value) tells you what kind of return to expect on your investment (ie. your stock). In my experience, these numbers should be roughly in the same ballpark (though they will rarely be precisely the same). If they are not, you may have a problem. For example, if your turn by number of items is 40% and by dollars is 20%, this tells you that are selling more inexpensive books from your inventory, and that your higher-priced material may be languishing.



What is knowing my turnover good for?


After one’s profit-and-loss statement, in my opinion there is simply no more useful number to be looking at than one’s turnover. I’ll elaborate shortly. But briefly, knowing your turnover allows you to:

  1. Know what you can/should be paying for books

  2. Understand how long on average it takes you to sell a book

  3. Examine the overall health of your business

  4. Figure out how to make more money.


Knowing what to pay for books.


Most discussions of what one should pay for the books in one’s inventory almost always seem to to focus on what the ultimate selling price is going to be. And while it is true that what you pay should bear some relation to what the ultimate selling price is going to be, this MUST be tempered by what your expected TURNOVER rate is going to be. VERY roughly speaking, you can pay what your turn rate is, ON AVERAGE. Turning 1/3 of your stock a year? Then that should roughly be your COGS (“cost of goods sold”). Turning less? Then you should be paying less. Turning 50%? Great, then you should be paying more for books (or at least you can…which in theory if you want the better books you should be).


This formula breaks down somewhat at the extremes of the price spectrum: very cheap books and more expensive ones. For cheap books you want your COGS to be as near to zero as possible because your profit gets eaten up mostly by labor and overhead (see my storage example below). And at the higher realms of the business, you can still make a tidy profit on lower margins. But roughly speaking, it’s a useful way to BEGIN thinking about what you should pay.


So, to take two examples:


If someone offered me a book that I expect to be able to sell for say $1000 and I am confident I can sell it in short order (meaning, less than a year), I might offer 40-50% or even 60%. And if I have a ready client for the book, meaning I think I can sell it more or less immediately, I’m happy with a 20% mark-up.


But if someone offered me another book that I expect to sell for $1000, but I think it’s likely to sit for 2-3 years, then my offer is more in the 1/3rd area. And longer? 10-25%.

Now, these examples have you considering the potential turnover of an individual book, but the theory is the same. And likewise with collections. How long do you expect to take to sell the collection (include your cataloguing time!)? Your average yearly turnover should give you a good idea of how long, and therefore of how much to pay.


Why does this formula work? Well if you think about it, it makes sense. If you sell 20% of your stock in a year, then in order to keep generating the same returns to need to replace that value and you should pay about 20% of what you expect to make. Otherwise your profits shrink. And if you pay too much more, eventually you will encounter serious cash flow problems.


A word of caution: remember that paying more for inventory will not in and of itself increase one’s business. If you’re buying largely the same quantity and quality of books and all you are doing is paying more, you are simply decreasing your profit. But if you are spending more so as to grow the overall value of your stock, then ultimately you should see an increase in revenue (and profit). So for me, my book buying budget is typically COGS plus 10%. This should, if I’m buying well, replenish the value of what sold AND grow the value of my stock, which will increase revenues and hopefully profit without needing to increase turnover. In other words, one can certainly SPEND more to grow your business, but what those books COST you should remain largely constant and should bear some relationship to both what it will sell for and what your turnover is.


And finally before moving one, these are rules of thumb and there are all kinds of legit reasons to deviate from them. I often pay more than I might care to for prime material or for something unique or if I think the seller might have other things I could want…Or if I think something is wicked cool…Or if its from an established customer who has done a lot of business with me.


And I can pay less too: for books I know are salable but which I don’t personally care for…Books that I hate cataloguing…Books that require extra labor…Books I had to travel for…Collections with large amounts of filler I will need to dispose of…



Understanding how long it takes for books to sell.


Pop-quiz! You are being offered a collection of 1000 books. Let’s say they have a retail value of $10,000 (average of $10/book). Unfortunately, like most booksellers, you are completely out of room for these books in your house/shop and your long-suffering spouse insists that if you buy them you will have to procure storage for them somewhere else. You have an average yearly turn rate of 25% (both by dollars and units sold). Should you buy the books? And at what price?


Well, if your turn is 25%, given the previous rule, you should offer $2500, right? But wait, I hear some protesting, if these are largely $10 books, they are rather ordinary most likely and perhaps a lower offer is in order. After all, these are books that we’d expect to find in multiple copies already available online. Good thought. In fact, the seller is anxious to sell and offers you the lot for $500 or $.50 a book! A steal right?


But wait: how much is storage going to cost you? Let’s say you only need a small space, something you can find for $150/month or $1800/year. Again, should you buy the books?

Well, with a 25% turnover, it’s going to take you 3-4 years to sell most of the books (though not all). So after three years your P/L on the lot would look something like this:


[$7500 gross revenue, approx.] – [$5400 storage rent] – [$400 COGS, approx.] – [$1500 commissions and expenses, approx.] = $200 profit.


Not so good after three years and having to ship 750 books. Even if you can catalogue, process, and ship 20 books an hour (and I can’t), that’s less than minimum wage.

So again, at what price should you buy the books? Well, in this example, you shouldn’t even accept the books as a donation. Not unless you can either: a) increase your turnover and/or b) eliminate the expense to store them. But these are judgements one can’t intelligently make without knowing one’s turnover.



Understanding the health of your business.


Let’s say last year you grossed $50,000 and this year you are on target to gross $60,000. Your business is growing and healthy, right? Well, maybe. It depends. Your business has grown by 20%. But looking at your numbers you realize that you have catalogued 30% more books last year than the year before. And by focusing on cataloguing better books, the value of your inventory has grown by 35%. So to recap:


  1. Your revenues are up 20%

  2. The number of books you have online is greater than the previous year

  3. And the total value of your stock is also up this year over last

Great right?


Well, yes and no. Notice that your turn rate and your revenue growth are out of synch by a factor of almost 50%. So though both the size and value of your inventory have grown, your turn rate has fallen. Let’s make these numbers more concrete:


LAST YEAR:

RETAIL VALUE OF STOCK: $150,000

REVENUE: $50,000

TURN: 33.33%

NUMBER OF BOOKS CATALOGUED: 10,000


THIS YEAR:

RETAIL VALUE OF STOCK: $202,500 (+35%)

REVENUE: $60,000 (+20%)

TURN: 29.62% (-12%)

NUMBER OF BOOKS CATALOGUED: 13,000 (+30%)


Had your turnover not fallen, your revenue would have been $68,000. In other words, you are not earning a return commensurate with the improvements you’ve implemented. So if cataloguing all of those extra book meant work more hours, you may have actually earned less per hour one year to the next. Or put yet another way, your falling turnover has cost you several thousand dollars.


Your turn rate is therefore potentially a symptom of a problem worth investigating further. Perhaps in focusing on cataloguing more titles, your descriptions suffered. And with lower quality descriptions, buyers are choosing your wares less often. Notice as well that should this trend of lower turnover continue, you eventually will need to keep adding more and more titles simply to maintain revenues. You can see from this example that even in the face of growing revenues and profits, without knowing one’s turnover a symptom of a larger problem can go unrecognized.



Make More Money.


Here’s a handy formula:

[(total retail value in dollars of your inventory) * (average yearly turnover)] – (average yearly expenses) = Income


If you want to give yourself a raise, if you want to make more money this year than last, how do you do it? Well, many people might think: sell more. But that’s not exactly true (indeed, notice that there is no “sales” or “revenue” variable in the above formula). To make more money, you really have only three options. They are: increase the value of your stock, lower your expenses, or increase your turnover. And of the three, the latter is probably the most immediately implementable.


For example, suppose you have a book for which you paid ten dollars. You can price it very competitively at $60.00, or at a more average asking-price of $85.00. Assume that at $60.00 the book should sell within six months and within a year at $85.00. Which should you do? Assuming you have reasonable access to similar books, you should probably do the former. Why? Because you can take that $10 cogs and use it to buy another book to – hopefully – sell in six months for $60. In a year, the two situations look like this:


$60 x 2 – $20 (cogs) = $100 profit $85 x 1 – $10 (cogs) = $75 profit


In other words, you’ve made 33% MORE in the same amount of time and with the same amount of capital by pricing with an eye towards fast turnover. The numbers and assumptions change, and the theory can be taken to idiotic and self-defeating extremes (read: penny-sellers and auto-repricers) but the principle remains the same: turnover, turnover, turnover.

 

[Editor’s note: For more on trade discounts, see our related article Trade Discounts: Good For One and All.]


NOTE: These are pitched to the “first-time askers” — those of you who would like to request a dealer discount from a fellow bookseller who you’ve never bought from before, and who is a complete stranger to you.


Lesson 1. Ask directly. Take the time to seek out the seller’s email address, and send a direct message. (It’s acceptable, for the sake of convenience, to make such inquiries through certain websites — e.g. AbeBooks, with its very handy “Ask Bookseller a Question” link — but it’s slightly classier, at least in my opinion, to take such incipient transactions completely “outside the room” of the third-party aggregate-listing sites.)


Lesson 2. Ask politely. One thing to always keep in mind is that a trade discount is a courtesy and a privilege, not a “right.” You should be upfront about being a bookseller, but strive to avoid any sense of entitlement: you are asking for a discount, not expecting or demanding one. It can also help to state what your own policy is, as some dealers put a lot of weight on the “reciprocal” aspects of discounting.


Lesson 3. Be clear. Know what you want going in, and make your needs and desires crystal-clear to the seller. If your purchase is contingent upon a discount, say so; otherwise, state that you will buy the book (i.e. at the listed price) even if there is no discount forthcoming. (The term “firm order” is useful, but alas not always understood.)


Lesson 4. Offer payment in as many forms as you’re able. PayPal is quickest and easiest these days, but if you’re willing to send a check or use a credit card, mention those as other options — you can state your own preference if you have one, but always make it clear that it’s the seller’s prerogative to choose whatever payment method he finds most amenable. The sticky point comes with credit card use. It’s considered “bad form” by some dealers to offer to pay for a discounted purchase with a credit card — which then costs the seller a little bit more, in terms of fees — but on the other hand, many sellers don’t mind. (Interestingly, the same objection is rarely voiced with regard to PayPal, although their transaction fees are roughly comparable.) My suggestion is to only offer credit card payment as a secondary option, perhaps even with an apologetic caveat attached (i.e. “if it’s acceptable,” or something like that).


Lesson 5. Be grateful (if the answer is “yes”). See “privilege,” in Lesson 2, above. And remember what your mother told you: say “thank you.”


Lesson 6. Be graceful (no matter what the answer is). Here’s the tricky one, because sometimes the answer is either “no” or a “yes” that you might find wanting (i.e., only 10%). You should always proceed with the transaction (or not), based on your earlier statements to the seller, but resist the temptation to challenge or question his policy. Remember that when all is said and done, we each have the right to determine our own business practices — and with regard to “courtesy” (Lesson 2, above) …. well, haven’t you noticed by now that not everybody in the world is courteous? Ultimately, I believe that a bookseller does himself a lot more harm than good by adopting a restrictive or distinctly ungenerous trade discount policy: nobody ever gained a customer (or a friend within the trade) by refusing a discount. But the cost to you is minimal: a dollop of disappointment on a single deal, but a piece of knowledge for the future. It’ll save you the trouble of asking again, for one thing, and you’ll also have the potential satisfaction of “taking your business elsewhere.” So who’s the loser, in that scenario?


As a couple of real-world examples of how to put Lessons 1 through 4 into practice, here are sample “inquiry letters” as used by fellow IOBAn Brian Cassidy and myself:



Brian’s letter


Version 1; when he intends to make the purchase, discount or no:


Hello. My name is Brian Cassidy and I am a book dealer in the Washington DC area. I am interested in [book title/description]. Could you please confirm availability and forward a total price for a direct sale, including shipping and discount, if offered (I offer terms up to 20%, reciprocal)? I am happy to pay via your preferred method. Thank you in advance.


Version 2; when purchase is dependent upon availability of discount:


Hello. My name is Brian Cassidy and I am a book dealer in the Washington DC area. I am interested in [book title/description], but before deciding would like to know if you offer a dealer discount on direct sales. I offer terms up to 20%, reciprocal. And I am happy to pay via your preferred method. Thank you in advance.



My letter (purchase not dependent on discount):


Dear [bookseller’s name]:


I would like to buy your book [title/author + seller’s inventory number, if known], listed at $__ on [whatever site]. This is a firm order; any available trade discount will be greatly appreciated, but I’ll buy the book either way. Please confirm availability and advise the total amount due, inclusive of shipping (Media Mail is fine), and I’ll forward payment promptly. I am happy to pay with whatever method you prefer: PayPal, check or credit card. Many thanks for your attention to this order.


Howard Prouty

ReadInk 2261 W. 21st St. Los Angeles, CA 90018 www.readinkbooks.com ABAA | ILAB | IOBA


Please note the importance, in my opinion, of a fully-featured signature: personal name, business name, mailing address, website, and professional affiliations. One thing this inquiry should do beyond question — especially if you are approaching a seller to whom you are likely a complete stranger — is to establish your bona fides right at the outset. If I were inquiring of another dealer here in California, I would also add my resale permit number.

 

Most booksellers when evaluating their business assets will consider the cost and potential market value of their inventory, the cost of computer equipment, and maybe even the replacement cost of their reference library, but it seems that the value of their book-selling database is often overlooked.


A database is far more than just a listing of books which you have for sale and the price you are asking for them. If that is all you need, you can simply input listings directly online, and then download these listings.


The true value lies in the information which is not uploaded—the historical information about sold books, the private fields, and also in the other modules (client, invoice, wants, vendors, etc.) which work together with the inventory database.


We use BookMinder, which is a template based on FileMaker Pro, one of the few programs for both Macs and Windows. The point of this informal commentary is not to advocate any specific program, but to toss out some thoughts that might help booksellers to expand the usefulness and value of whatever database they do use. If you think that you, as a bookseller, cannot afford to spend $200-$300 or so on a decent database, and that a “free” one is good enough, maybe the following will help you reconsider that decision.


The first and most obvious value comes from the cumulative weight of entering books into a single database for years (we have slightly over 16,000 listings online now, with over 34,000 entries in our inventory database). While I have written most of the entries (at a rate of not quite ten books per day for ten years), we have hired others to do data entry at various times, and the usual payment was $1 per book. It doesn’t take a lot of math to see that at $1 per listing, we now have $34,000 “invested” in the database.


However, it goes much deeper than that: by retaining information on sold books, we begin to gain a solid understanding of the prices at which copies will sell and how long it might take them to sell. Obviously, this is valuable for uncommon books, where prices are on a steadily upward trajectory (and where sometimes there are no copies currently offered for sale online), but it can also be useful for a lot of “bread-and-butter” books.


Since the time it takes to write a new description is a significant factor in the cost of selling a book (especially for one that is inexpensive), our buying decisions are often skewed by whether or not a book is “in the database.” Sometimes this has unexpected results. For example, every first printing of a certain title which we were able to acquire sold reasonably quickly in the $30-$40 range. One day, we spotted a nice book club edition for sale, bought it, quickly modified the database listing, and almost as quickly sold it. Knowing which books will sell only in first editions (or only as signed copies), which books will sell easily in any hardcover edition, and which books will even sell as paperbacks can be very helpful—especially since the less expensive versions are usually a lot easier to find.


Each record in our inventory has a “private notes” field which is not uploaded. The size of this field is essentially unlimited, and so are the types of information which I might include there. The actual name of this field in our database is “quote to/notes” but that is only one use for it. In addition to whether or not we quoted the book to a client (and if the client purchased or declined it, and why, if we know why), I might note the number of comparable listings online at the time we catalogued it and the price range (sometimes this info gets updated), any pricing changes we might have made, where we got the book signed if it is a signed copy, points that are not included in the actual description, and much more.


For example, we just sold a signed copy of Westlake’s Castle in the Air. The private notes included the comments that when we first catalogued this in July 1996 there were only three hc 1sts on ABE, the book was mistakenly marked as sold, was signed in Los Angeles in 2004, and when it was reinstated online in late 2004 there were 28 hc 1sts on ABE. Abbreviated, this type of information takes almost no time to enter.


Among the other private fields are those where we enter the price paid, and the vendor from whom we purchased the book. (In addition to the obvious bookstore names where we regularly buy books, we also create vendor ids for buying trips out of town. This will provide easily accessible documentation on how many books we bought on that trip, how much we spent, and how much profit we made from those purchases.) We use another field to create printed catalogues, and this field consists only of two character codes. For example, if I wanted to do a list of mysteries by women set in California or one for Florida children’s books, all I have to do is search in this field for “wo my ca” or “fl ch” respectively. There are probably 100 different codes which we use, and most of them are self-evident.


We have other fields which are only used for uploading to specific sites. For example, we enter Amazon’s condition codes in one field. We can also enter three different prices for a book. If we were doing a lot of eBay auctions, we might create an eBay title field. The possibilities are unlimited.


So far, we have just been dealing with specific books, but one of the benefits of “researching” books or authors on the internet is the ease with which the information can be captured. If I find an interesting article on an author or an illustrator or a book, I will copy this into a separate record (I use the subject name “author and book info” for these records) along with the author’s name, and maybe the url of the website where I found the information. These records can be as specific as the points of a single title, or the tracking of the prices of all copies being offered for sale over a period of years, or a complete bibliography of an author. Again, to give a specific example, I was cataloguing a book recently, and the illustrator who did the frontispiece had an extremely interesting career himself, so I created a record for him. When and if we come across something else with his work in it, we have the information needed to place it in context.


The inventory portion of our business database is only part of the database. We also store our client records and our invoices, which provide complete information on books sold, including discounts, if any, sales tax collected, shipping charged, and the source of the sale. But even this small part is much more than just a listing of books we have for sale. It is a living, growing, ever-expanding, focused reference work—a combination of “book prices realized,” bibliographies and points of issue. It becomes worth far more than the few hundred dollars we actually invested in the program and in upgrades or the $34,000 we might have paid for raw data entry. It becomes the single most valuable and virtually irreplaceable asset in our business.


Chris Volk operates Bookfever along with Shep Iiams and can be contacted at http://www.bookfever.com.


 
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