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Booksellers in America sometimes ask me how we run a successful antiquarian and secondhand book business in “darkest Africa.” I usually reply that the cleft-stick is a remarkably efficient way of distributing letters, and porters with boxes on their heads can be as reliable as the USPS in delivering parcels of books in good condition to far-flung outposts at very reasonable cost.


Now, as I answer my last email for the day, close our on-line auction site after another successful sale, upload a new catalogue to our website and pay my annual subscription to IOBA (always right on time) by PayPal, I wonder if bookselling in the days of the cleft-stick was probably not a more leisured and, dare I say, profitable experience.


Nearby Constantia Manor House

Clarke opened his shop in 1958 in Long Street, then something of a Charing Cross Road when there were (and still remain) a number of dealers in the same street. Over the years he produced a series of 50 scholarly catalogues which make wonderful reading today as one marvels at the steady flow of fine books which passed through his hands.


South Africa, first colonized by the Dutch in 1652, attracted a steady inflow of immigrants from all over Europe and they brought with them many printed treasures. With the discovery of gold and diamonds in the late 19th century large fortunes were made and for a number of years these nabobs, or Rand Lords as they were called, bought art and books with a gusto that was only later to be exceeded by the makers of the great American fortunes. So South Africa is something of a repository of interesting books and libraries.


I joined Clarke in the late 1970s as a very junior partner and learned happily at the foot of the master for a couple years when tragically he was overcome with pancreatic cancer. Finding myself in control of the business I continued through what are now thought of as the darkest years of South Africa’s history—the 1980s. During this time we moved temporarily into new bookselling as this was one outlet for political expression at the time and, whilst not claiming to be in any way heroic, we did have our moments with the apartheid regime during its dying days.


“I Was Jogging in These Vineyards This Evening”

Nelson Mandela, a person of enormous magnanimity, was released and the Internet arrived almost at the same time. Mandela returned us to normality and the mainstream of the world and enabled us to hold our heads high again at book fairs around the world. The Internet turned bookselling on its head forever. Eventually this, and the stress of commuting for twenty five years, persuaded me to move from a B & M store (if this jargon is correct) and to work from home in the peaceful suburb of Constantia amidst the vineyards which were first planted in the 1680s.


Here we continue to welcome customers, to issue catalogues in a New Series, now mostly produced in electronic form only, and, latterly, to run our online rare book auction business AuctionExplorerBooks.com.


Whilst Anthony Clarke was a scholar bookseller—a sadly dying or dead breed—I consider myself as more of a journeyman: jack-of-all-trades and master of only a very few. My path to bookselling was as varied as many of my colleagues. I was educated at South African and British schools and at university in New England (at a small college in Hartford, Connecticut) and Cape Town, and then, in an attempt to avoid a serious career for as long as possible, I traveled and did odd-jobs in the way of many of us of the late 1960s. I eventually landed in publishing for a couple of years. Being temperamentally unable to work in a larger organization, and without any capital, I found antiquarian bookselling the perfect place of self-employment where I have cheerfully maintained myself ever since.


Bookselling in South Africa, which is a country that exhibits the characteristics of both the first and third worlds, has always had something of a missionary feel about it. In a country where many people cannot afford shoes, books may seem to be a luxury, but reading is the way upwards for many, and selling books at affordable prices was always one of our goals in the general bookshop.


When I was buying books recently, a middle-aged lady, after showing me her own modest collection, said that her son had some books to sell. Leading me down a passage to a bedroom formerly used by the long-flown son, and pointing to a small bookcase, she said without irony, “These are my son’s books. He is forty now, long past the reading stage.”

I hope that we, as members of IOBA, will never reach this stage. Despite all the electronic wizardry which we employ these days, it is the books which remain important, and our skill and passion must be to move them to readers and scholars where they can be used, valued and cherished.



Paul Mills operates Clarke’s Africana & Rare Books in Constantia, South Africa and can be contacted at http://www.clarkes.co.za.

 

Tami Zawistowski

I’m Tami Zawistowski of Resource Books, LLC, based in East Granby, Connecticut, USA. Resource Books offers its books almost exclusively online, with our current stock numbering about 7500 books dating from 1582 to 2006, with most from between the 1850s and 1950s. We also offer some ephemera and select accessories—unusual bookends and inkwells, other reading and writing related objects—anything that would look at home in a personal or institutional library. While our focus is mainly non-fiction, we also stock children’s books, literary classics, some modern first editions, special illustrated and limited editions, and signed copies.


Resource Books, LLC

Resource Books, LLC has been in existence for eleven years. The business started in the days when the Internet was not a part of everyday life. Waiting for the weekly issue of AB Bookman to arrive, scouring its long columns of Books Wanted and sending out quote cards to dozens of prospective buyers was time-intensive and resulted in few monetary rewards. Instead, I focused on renting space in antiques malls and smaller shops—up to ten at one point—which proved a better option. All of this changed with eBay, which was my introduction to online book sales, and eventually evolved to listing books on AbeBooks and then several other bookselling venues. Believing that an organization addressing the specific needs of booksellers who offered their stock mainly online was necessary and beneficial, Resource Books, LLC joined IOBA in 2004.


Resource Books, LLC

I’ve loved books for as long as I can remember, and starting a book business after dropping out of corporate life in the mid-1990s was a great alternative to the demands of corporate politics and a heavy travel schedule. I had experienced a long career in banking and commercial real estate valuation, and earned the MAI designation from the Appraisal Institute, the principal international organization for real estate appraisers. My most recent position in business was Executive Vice President and Chief Appraiser for Northeast Savings, F. A., a large thrift based in Hartford, Connecticut. After completing work there, I spent a year in academia as Assistant Director of the Center for Real Estate and Urban Economic Studies at the University of Connecticut. I’ve also taught courses and lectured on real estate related topics throughout the United States.


Resource Books, LLC

Throughout my business career, however, I sustained a love a books and an omnivorous reading habit. The book habit had deep roots—I had volunteered at my old hometown library in Stafford Springs, Connecticut back when I was in high school, running summer programs for children, etc. While earning a B. A. in English at the University of Connecticut, I worked in the university library. The wide variety of courses I took during college provided an excellent interdisciplinary background which helps significantly in dealing with the broad range of subject matter we now offer. And then there were the little things that I never thought would come to much—two years of Latin and Russian language, a family who loved travel, and an elementary school teacher who instructed her class to use Roman numerals to date their papers each day. I would never have guessed how valuable that skill would be.


Resource Books, LLC

In the summer of 2006, we moved Resource Books into a new building. The design was created specifically for books and for items bought and sold by my husband, Ed Zawistowski, who owns Gallery One. Ed has bought and sold original artwork, antique estate jewelry, coins, stamps and other antiquarian items for more than twenty years. Since our home is more than two hundred years old, we took care to design the new building in a style that would harmonize with its Old New England charm. Designed in a modified Cape Cod style, it contains more than 2,000 square feet on two floors, and has a full basement, heat and central air conditioning. The building was engineered to withstand the heavy weight of a large number of books, and the open floor plan allows optimal arrangement of the bookcases which contain consecutively numbered boxes (a system that we find works well for keeping the books organized). The very short commute (about fifty feet), paired with bright new surroundings, provides a very pleasant work environment.


I take personal satisfaction in connecting the right books to the right people, and love to hear stories about why my customers are so happy to find a particular book. I’ve also enjoyed dealing with international customers, and we list our books on ZVAB/Choosebooks (based in Germany), AntiQbook (Netherlands) and AbeBooks (Canada) as well as Alibris, Amazon, IOBAbooks, Froogle and our own website, www.resourcebooks.net. We also occasionally list on eBay, mainly ephemera, as well as a variety of high quality jewelry presentation boxes.



Tami Zawistowski manages Resource Books, LLC out of East Granby, CT and can be reached at tami.z@gallery-resource.com

 

-Tell us a little about yourself.

First edition, first issue of Dickens’ Christmas Carol (in stock)

Bookselling is my second career. As a ’74 graduate of the US Coast Guard Academy, I spent the first 23 years of my professional life as a “Coastie.” In the mid-80s, I discovered collecting first editions, Charles Dickens specifically. Knowing that someday I would be pursuing something other than Search & Rescue as a career, I looked at antiquarian bookselling as a possible pursuit. I established the business in 1989, home-based, and found I enjoyed the challenges. I opened my shop in Alameda two weeks after my retirement from the service. That will be ten years ago next July. Where has the time gone?!?



-What led to your interest in out-of-print and antiquarian bookselling?


While collecting, I gave some consideration to the academic side of English literature, but discovered two things while taking a course on Dickens at Stanford: first, sometimes “a cigar is just a cigar,” and second, for me at least, it’s impossible to enjoy a work being studied when the reading of five 900 page works, rich in their tapestry, is compressed into three months . . . after all, it took usually took Dickens over 19 months to write one of his novels.


-How did you learn the trade?


You know there’s no degree program to becoming an Antiquarian bookseller, so I employed a combination of approaches:


-Initially I apprenticed with Barry Cassidy in Sacramento. This was for four months or so back in 1989 before I actually started my own business. Mainly this was to see if I enjoyed the profession, and to get a taste for the mechanics of it.

-Read voraciously in the area. A. Edward Newton. David Randall. David Magee. Rosenbach. AB BookmanFirsts magazine, etc.

-When able, I took courses/seminars on various aspects of books and bookselling. I took the Colorado seminar in 1996; since then I’ve taken around a dozen Rare Book School courses.

-Established a reference library. I think I’m pushing 2500 volumes now. Many think that’s a lot, but it pales in comparison to others I know. For example, have you seen Heritage’s reference room? Wonderful.

-Finally, there is no substitute for actually looking at and handling books. Go to bookfairs, go to other shops, go to library exhibits, etc.



-What aspects of maintaining a physical bookstore are the most problematic?


Well, a few things come to mind here, especially since, at present, I’m a one-man operation.


-Dust control.

-Book control. They’re all over the place . . . floors, in boxes, etc. Not to mention, keeping them from “walking off” in somebody’s pocket or whatnot.

-Customer control. I’m not a neighborhood bookshop, so often people that come in are just curious, which is fine, but it can result in unproductive time away from my work, not to mention the occasional damaged book. Had a young girl once throw a first edition Nancy Drew, in dj, across the shop . . . only God knows why she did it, I sure don’t. The mother gave me a sheepish look like, “What can I do?”



-What are some of the most unusual things that ever happened in your shop?


Nothing too unusual. I mean days pass where the only person to wander in the shop is the postman and the only person to call is someone wanting a donation for (fill in the blank). However, I get over 500 emails a day, and the bulk of my business is conducted via the net in one manner or another, so I keep busy.



-Are all of your internet listings available right there, or are some or all of them stored offsite to maintain the described condition or to simplify inventory management?


The preponderance are in the shop . . . somewhere.

Me in the shop with an Inkie (since sold)

-You have achieved what many booksellers can only aspire to—an established shop in a good location, ABAA-level knowledge and success, and a solid record of giving back to the trade. Another hallmark of success seems to be specialization, which leads us to the topic of Charles Dickens. Why Dickensiana?


Because I know the subject from my days of collecting Dickens, plus I put my collection up for sale through the shop, so I had instant “critical mass.”



-Dickens lived at Tavistock House in London for awhile. Why did you pick this name for your business from among the many possibilities?


I wanted a connection to Dickens, but nothing too, shall we say, overt. And I liked the sound of Tavistock Books.



-How many Dickens titles do you currently hold?


Roughly 950, which is really less than 10% of my available stock.



-Where do you acquire most of it?


Here and there . . . other booksellers, estates, direct purchase from old customers who are downsizing, walk-ins, etc.



-What’s the furthest you’ve ever gone for it?


New York. Bought a Drood collection there back in the ‘90s.



-Do you sometimes pay the going market value just to capture more desirable stock?


If I pay “market,” then it’s for something rare that I believe undervalued, and once I’ve catalogued it, there will be a higher market value assigned. A good example is some Filmer material I recently bought from Bernard Quaritch; I thought the books under-valued. And I noticed once I uploaded my record of Filmer’s most famous work, another copy appeared, listed at about 10% less than mine, which meant my price had been accepted as the new “market.”



-What are some examples of Charles Dickens non-book materials that you have been able to offer?


Oh, paintings, prints, Toby mugs, engravings, letters, drawings, etc. I currently have in stock an 1873 oil painting of Dickens, a couple letters, two 19th century lithographs and an 1868 drawing of Dickens by Bachelder done while the great man was visiting Niblo’s during his 1868 visit to the US. Pickwick, which was Dickens’ first novel, when first published in 1836-37, generated tons of ancillary material and you see ads for it in the parts issues of his novels. Today I’d liken it to all the Bart Simpson stuff you see around. However, other than books owned by Dickens, of which I handled a few, I’ve never had a personal artifact, like his inkwell or some such, owned by the Inimitable (as he used to like to call himself). One of these days!



-What is the Holy Grail of works written by Charles Dickens?


Probably a first of Great Expectations, in the original cloth.



-Do you think there are still some undiscovered works out there somewhere?


No, probably not. I could be proven wrong, but Dickens has been a focus of so many collectors for so long, and with all his children having passed, to my mind, the likelihood of anything being undiscovered I view as quite low.



-What is the most definitive bibliography?


For Dickens . . . there isn’t just one. An Antiquarian bookseller who handles Dickens on a fairly regular basis should have at least four. See my earlier IOBA Standard article, “A Dickens Reference Shelf” for more info [August, 2002, Volume 3, No. 3].



-Tell us a little about the world of booksellers who specialize in Dickensiana and the collectors, scholars, and institutions they cater to.


Dickens remains a popular author with the book buying public, as well as book collectors, and many ABAA booksellers specialize in his works: Heritage, Vandoros, Sumner and Stillman, MacDonnell, to name a few.



-Are most of your serious Dickens clients in the U.S. or Great Britain?


Most of mine are in the US, though occasionally I send something back to England, especially now that the £ is so strong against the $.



-What is your favorite Dickens biography?


Edgar Johnson’s two volume Charles Dickens: His Tragedy and Triumph. Came out in 1952, is readily available (was a book club selection), and is the most scholarly treatment of Dickens to date.



-The best film version of A Christmas Carol?


Wouldn’t know. I don’t watch film versions of Dickens’ works. Just a personal aversion, for I found myself remembering the actor that played the character, rather than the image approved by Dickens and rendered in art by his illustrator.



-When I think of Dickens, I think of the power of the pen. Without his genius for writing, he may have been just another faceless victim of economic oppression rather than a champion of true reform. I wonder what he would make of the state of the world today, and I suspect he would have far less ability to do anything about it, as that level of authorial fame and influence is no longer achievable outside the realm of fluff and fantasy.


Well, I’m not sure I agree, at least totally, but that’s a debate for another day, and another forum.



-What other areas do you specialize in?


Children’s serial fiction, such Tom Swift and the Hardy Boys. And I’m actively building my stock of 17th century books printed in English. I find I’m attracted to that period, so am trying to “get smart” on it.


The shop dog, Sierra, aka “The Lunk” (not easily moved)

-What are some of the more interesting non-book materials you have handled?


Well, the more interesting material to my mind is book-related art. I have had some original artwork for illustrations, as well as cover art. One of the most arresting was a large painting for a hard-boiled detective pulp . . . you know, beautiful woman crumpled on the floor, ripped bodice, with a guy brandishing a pistol standing over her. Lots of reds and other primary colors. It sold at the first book fair at which I exhibited it.



-Closing thoughts on our noble profession as it exists today, succinct or otherwise?


Well, the landscape is changing since I first entered the business in 1989, with changes wrought by the Internet. While it was true then, as it is now, that anyone could be an Antiquarian bookseller, no knowledge required, that same individual’s reach was constrained by geography. The net has extended that reach globally and a professional Antiquarian bookseller now has competition from anyone who has Internet access. Hence, one way to differentiate one’s business from the mass of amateurs that populate ABE and eBay is to join a professional organization such as IOBA. Long may it prosper and grow.



-Thanks Vic.

Vic Zoschak operates Tavistock Books in Alameda, CA and can be contacted at http://www.tavbooks.com.

 
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