top of page

Organizations often produce very dry and seemingly worthless records and publications. I remember an early book show where my young daughter and I felt sorry for the woman next to our four table spread, as she only filled up part of a single table with a handful of Alcoholics Anonymous books. It really looked pretty pathetic until she sold the first one for $15,000 or so.


Assembly Program

One of the biggest surprises I have had in what might be called the “organizational ephemera” market is the value of early Jehovah’s Witnesses material, as the literature they currently push falls somewhere on the paper food chain between scented cards that fall out of magazines and last year’s phone book, and it didn’t seem like aging would help all that much. I almost recycled a few boxes of it, as there was little pricing information out there, even utilizing eBay’s market research feature where you pay more to look back further at the record of completed auctions. I floated some test pieces but instead of sinking they walked on the water, with most averaging over $25 and some going in the hundreds.



The Jehovah’s Witnesses have a nice website, but I will reprint the first three paragraphs of the Wikipedia entry, without all the hyperlinks.


The Golden Age
The Scope

“Jehovah’s Witnesses are an international Christian denomination which originated in the United States with the 19th century Bible Student movement. They adopted their present name in 1931 under the leadership of Joseph Franklin Rutherford. Believing that all other religions are false, Jehovah’s Witnesses reject traditional Christian doctrines such as the Trinity, eternal torment in hell and the immortality of the soul. The central theme of their preaching is God’s Kingdom (that is, God’s rule over the Earth) with Jesus Christ as its king. The Witnesses believe this rule began with the Second Coming or presence of Christ. Originally, this was believed to have occurred invisibly in 1874, but this date was later revised to 1914.


“Witnesses believe that their faith is the restoration of first-century Christianity. In areas where they are active, they are commonly known for their door-to-door preaching and their objection to blood transfusions, and for not celebrating birthdays or holidays. Their most widely-known publications are the religious magazines The Watchtower and Awake!. Official membership of the organization, counted as those who preach each month, is 6.7 million as of August 2006.


The Golden Age

“Other Witness teachings include the recognition and use of a personal name for God, translated as Jehovah in English, as vital for acceptable worship. They believe that Jesus’ death was necessary to atone for the sin brought into the world by the first man, Adam, thus opening the way for the hope of everlasting life for mankind. It is also taught that 144,000 people will receive immortal life in heaven with Jesus Christ as co-rulers guiding the rest of humankind to perfection on a paradise earth during the 1000 year reign. More specifically, Witnesses believe that in the war of Armageddon, which they believe to be imminent, the wicked will be destroyed. The survivors of this event, along with individuals deemed worthy of resurrection, will form a new society ruled by a heavenly government and have the possibility of living forever in an earthly paradise.”


Anyway, most of this material was from the 1930s through the 1940s. It included broadside sheets titled Informant, Bulletin for Jehovah’s Witnesses, Kingdom News, and the apparently very rare Director for Field Publishers; periodicals such as The Scope and The Golden Age; interesting foreign material including issues of the large format German


Hear the Judge Banner

language Trost magazine from 1940 that was probably not tolerated much after that date; annual worldwide assembly programs and convention reports; JW examinations and applications; printed songs of praise; little solicitation and testimony cards they used to hand out; instructions on how to behave while being arrested; fliers for radio broadcasts; letterhead correspondence; and all kinds of printed matter. “Riches of Jehovah’s Kingdom,” for example, was described as follows. “Four page pamphlet, does not give the dates (just days), but looks late 1930s or so, measures 4.25″ by 5.75″ closed, inside is a list of Nassau County towns and the times and home addresses of study meetings, one in Freeport for ‘Colored’ members, list of five minute Judge Rutherford radio lectures by radio station.” This nondescript little thing went for $169.49. The jewel in the crown was an original linen cloth banner used at the August, 1944 St. Louis Assembly where Judge Rutherford made one of his earthly appearances. On the down side, anything after the 1940s got low or no bids.


Buyers of organizational ephemera are typically nice paper people. They tend to be focused, knowledgeable in their field, prompt in all dealings, and polite (though chances are some of them don’t like each other). The JW buyers were especially swell. Some of these items went into private collections (which will perhaps be made more public some day), some went to institutions (including a donation I made), and others were headed for display cases in new Assembly Halls. All that collection and construction makes one feel a little better about the nearness of Armageddon. In the meantime, always check on the collectibility and value of these kinds of things before discarding or passing them on. Especially early 1900s stuff, which was truly ephemeral, and not really meant to be witnessed again.

Important Messages
Kingdom News

Shawn Purcell operates Balopticon Books & Ephemera and can be contacted at http://www.balopticon.com


Director for Field Publishers
The Messenger
The Judge
Bulletin for Jehovah’s Witnesses
 

I’ve always had mixed feelings about thoroughbred flat track and steeplechase racing. Many of the horses probably like it on some level, but they get hurt and killed too (though others retire to the greenest of all pastures). It seems to be mainly about idle amusement and gambling addictions, with the burden on the beasts. Historic and gorgeous Saratoga Springs is nearby though—the track there being voted one of the top ten sports venues in the world—and I’ve begun to enjoy going up with my wife and father-in-law, who are longtime fans. I’ve even developed a pretty good long odds system that does not require tons of research and fretting. Hit a $400 triple on a $2 bet last time.

Arkle

Anyway, two things led to the abandonment of yet another personal moral boycott. Traveling around Ireland some years back, we spent time in a slow-serving pub whose walls were plastered with interesting framed clippings on various derby races. It somehow seemed richer than my admittedly limited knowledge of American racing traditions, from the myth of Seabiscuit to the preoccupation with winning the elusive Triple Crown. Not long after, I ran into an unusual yard sale in the boondocks far from home, and the eccentric proprietress hinted at further riches inside the house. During a private appointment some months later, she produced a thick black binder of British horse racing photos, I expressed minor interest, along with major interest in another item actually of little interest, and the price barriers were hurdled. This prize languished at home for some months before I finally made a project of it. 

Arkle

These turned out to be hundreds of glossy captioned newspaper file photos, mostly from the late 1960s and ‘70s, averaging about 8” by 10” in size. Most are stamped Syndication International of London (“This photograph must not be used for advertising”), which distributed them to Photo Trends of New York (“For onetime editorial use only. Pix must be returned used or unused”). There were no clues about who amassed rather than returned these, but he or she was clearly in a related industry, such as sportswriting. They are all great photos, as this representative sampling demonstrates, because they made the editorial cut to begin with. The distraction of color is stripped from evocative black and white images, and many of these are all the more intense because of the high monetary and mortal stakes involved. Be warned that some are pretty graphic.


“It’s the picture that sums up the glory of Royal Ascot . . . as the Ascot Stakes field sweeps past the new million-pound stand, with the Royal Standard flying over the most fashionable crowd of the racing season.” 6/17/1964

File photo hounds love the captions on the reverse too, but some of the scans are not clear enough, others were faded to begin with, and there is only so much room, so in most cases excerpts appear with the images when you click to enlarge. I kind of got sucked into the whole milieu though, as British horse racing captions are like little well-written history lessons sprinkled with humor and social commentary. Lester Piggott on Dahlia beats out the Queen’s horse Highclere in the richest ever race in Britain, “But she didn’t seem to mind as she gave Lester right royal congratulations.” Jockey Willie Carson advises visiting American upstart Steve Cauthen to “Follow me, but not too close.” Blakeney’s owner “earned himself a special place in horserace history by becoming the first man to breed, train and own a Derby winner since 1908.” “No doubt about it, Australian jockey George Moore is the punters’ pet. He took over the title on Wednesday (7-6-67) when he rode Derby favorite Royal Palace to victory at Epsom. George’s win has got the bookies really worried. Some of them have laid 1000-1 against him winning the five Classic races. George has won three already.” “National Hunt Jockey John Buckingham sprang to fame back in 1967 when he won the coveted Grand National steeplechase classic at Aintree. Admittedly he was lucky then, for that was the year of the fantastic incident when almost the entire field crashed at one fence—the leaders falling and bringing down the rest in a scene of unbelievable chaos.


“The also ran! Brigadier Gerard has met defeat for the first time in his illustrious sixteen-race career. All the eyes (or nearly all) are for Roberto, the winner.” 8/17/1972

Buckingham, near the back on the unfancied, unheard of horse Foinavon suddenly appeared, picked his way carefully through the wreckage, and came home alone to win. In spite of his luck, it didn’t make the remaining fences any less massive, and he required all his skill, with sensitive fingers playing on reins as if they were butterfly wings, knees exerting only gentle persuasive pressure, and a subtle shift of weight, to bring Foinavon home for a remarkable victory. But when Buckingham took part in a Donkey Derby at Stoneleigh, Warwickshire, he found that skill was of no use whatsoever. In company with three other top jockeys, Buckingham was taking part to raise money to repair the village church. Faced with a particularly obstinate mount, Buckingham tried everything he knew to coax the donkey over a small obstacle. He cuddled it, whispered into its ear—no doubt promising the proverbial carrot. But it all got him nowhere, and the race was won by a 16-year-old girl who galloped home with lengths to spare.”


Roberto and Brigadier Gerard. Benson & Hedges Gold Cup, 8/17/1972
“Lester Piggott, the hard-man and King of flat racing, met Steve Cauthen, the Kentucky Kid on Saturday (14-4-79) and managed a rare smile.” 4/17/1979

In many cases I felt the need or desire for more information. When the location of champion Red Rum’s half-size bronze statue “was to have taken pride of place in Lord Street, at the heart of Southport’s shopping district,” but was relegated by the town council to a covered arcade off the main street instead, the owner and trainer did not attend the unveiling. “Red Rum has done more for Southport than anybody. It is disgraceful that his statue should be [illegible].” I wondered what those last two or three captioned words were, if Red Rum’s people actually boycotted or were just busy elsewhere, if the council changed its plans because the statue did not come out very well, and where it stands today. A nice linked Wikipedia entry with a photo of the still-arcaded Southport statue provides the following. “Red Rum was bred at Rossenarra Stud in Kells, County Kilkenny, Ireland by Martyn Molony and started off in life running in cheap races as a sprinter. After being passed from training yard to training yard, he found his footing when Liverpool car dealer Ginger McCain bought him for his client Noel Le Mare and famously trained the horse on the sands at Southport, Merseyside. McCain, who also won the Grand National in 2004 with Amberleigh House, took Red Rum for a therapeutic swim in the sea off Southport before every Grand National—Red Rum suffered most of his life from a debilitating, incurable bone disease in his foot.” Red Rum is said to be the most famous racehorse the world has ever seen. He lived to the age of thirty, and is buried near the final post at Aintree where he won three Grand Nationals and placed second in two others. 

“After a nine minute delay they are away from the first Derby to be run from stalls.” Epsom Derby, 6/8/1967

“Becher’s Brook . . . being inspected by Prince Charles before the race.” Grand National, 3/31/1980
“High fences . . . and 4 ½ miles in the mud saw off 26 of the original 30 starters.” The Grand National, 3/31/1980

Googling some faded spellings of personal names, it seems the controversy is still alive all these years later, according to a 2004Guardian piece which is conflated into one paragraph here. “He was the only horse to win the Grand National three times; he was once crowned BBC Sports Personality of the Year (despite being equine) and he appeared at the switch-on of Blackpool illuminations. But people who worked with him say the bronze half life-sized statue of Red Rum looks more like a donkey. Now the statue is at the centre of an extraordinary spat after plans were announced to move it temporarily to an exhibition of Red Rum memorabilia at Newmarket. Ginger McCain, Red Rum’s trainer, and his wife Beryl say the National Horseracing Museum in Suffolk should not borrow the statue for its forthcoming exhibition. Mrs McCain said: ‘We will not have that statue in the exhibition. It is absolutely dreadful. Nobody in the horseracing industry likes it. It doesn’t even look like him—it looks more like a donkey.’ The statue, housed in a shopping arcade in Southport, Merseyside, was described by Mr McCain when it was unveiled in 1979 as ‘a bit plump and heavy.’ He added that the horse looked ‘thick-set and short.’ But it is incredibly popular, drawing hundreds of fans every year who pay homage to the great horse and occasionally leave packets of his favourite sweets, Polo mints. Annette Yarrow, the sculptor of the bronze, said yesterday: ‘He certainly does not look like a donkey and there are many other people who were very happy with it. One of the problems at the time was about the cost, but I did it at cost price.’ Fans called for a life-size model which was later installed at Aintree racecourse. It is the only statue which has been approved by the McCains. Hilary Bracegirdle, director of the National Horseracing Museum, said the row put her in an awkward position: ‘I think the difficulty is if you love horses then you know them to be as individual as your own son’s face. Clearly, Mr McCain is very passionate about Red Rum and feels it hasn’t done him justice. It is a terribly difficult position for me to be in and I had absolutely no idea they didn’t approve of the statue.’” Looks like Hilary Bracegirdle didn’t do all of her homework, wot?


Newspaper file photos are fairly uncommon. Only so many were distributed, and most of those have been discarded over the years. The medium is very sturdy if cared for correctly, but quite fragile if not. In terms of value, very specific topics with easily searchable terms do well. The champion “Shergar” will sell, for example, where “horse racing photo” will get left in the dust. Look for captioned file photos in good condition, complete with legible names and dates. Earlier file photo captions were on strips of paper taped to the reverse, while newer examples are usually printed right on the reverse. EBay is still your best bet for marketing photographica that is somewhere between very good and stellar, and if you have many examples to offer in the same subject area run them consecutively and build up a following. Most of these horsey pics went to England, and they averaged around $25 each, with many in excess of $100, up to around $300. That will buy a lot of $2 bets and cold beers next August.


“Rider Dennis Gray comes off Alpenstock, left, at the Chair and tries to mount Pardo [?], number 5, to save some bruises.” Grand National, 4/4/1979)
“Our dramatic sequence of pictures shows the moment the Grand National ended for Beau Bob and jockey Jeremy Glover . . . with a spectacular nosedive at the notorious Becher’s Brook fence . . . where so many horses have perished.” Grand National, 4/1975
From the Wikipedia, “The fence took its name from Captain Becher, who fell there from his mount Conrad in the first Aintree Grand National in 1839, and who sheltered in the small brook running along the landing side of the fence while the remainder of the field thundered over.” This fence was finally made more humane after another disaster in 1989

“Alverton lies dead on the ground with Jonjo O’Neill bending over in distress.” Grand National, 4/4/1979
“Fallen woman . . . the only female jockey in the National, Jenny Hembrow, shows the agony she feels after falling at the final fence.” Grand National, 4/4/1979
Red Rum in his heyday

Wideawake collapses after victory (caption illegible)
Wideawake’s distraught rider and owner
How this sequence appeared in a local newspaper that came with the photos

“The Derby, Britain’s premier flat-race classic, was won by the British-bred horse Grundy on Wednesday (4-6-75). Grundy, popular second-favourite at 5-1, thrashed the favourite, 6-4 French challenger Green Dancer, into sixth place.” Epsom Derby, 6/5/1975
“A born winner—five week old floppy foal runs around the green, green grass of home. She has yet to be named but as the daughter of the mighty racehorse Grundy, she won’t be unknown for much longer.” Newmarket, 5/1977
“Sculptress Lady Annette Yarrow admiring her half-size statue of world famous Red Rum.” Southport, 8/4/1979

Jockeys
Jockeys
Jockeys

Mill Reef
Mill Reef

Lester Piggott
Lester Piggott

Red Alligator
Red Alligator
White Lancer, son of Brigadier Gerard, and head groom Fred Ray, just moments after he was saddled for the first time ever. Near Newmarket, 9/26/1975

Shawn Purcell operates Balopticon Books & Ephemera and can be contacted at http://www.balopticon.com.



 

Weeding through countless fields of obsolete digital pics and scans on my hard drive, up popped a set of images from Herbarium and Plant Descriptions that reminded me what a pleasure it was to handle this item for awhile. I remember writing a fairly lengthy description for an eBay auction and starting it at $100. If the herbarium didn’t sell there I would have transplanted the work over to my regular book list, thus preserving more gleanings about the little girl who put it together, the gist of her efforts, and a written description of the volume that contained them. If it remained unsold to this day, I could have consulted her notes about each plant for this piece. But as things turned out it did sell on eBay in May of 2005 for $113.61, with two bids. The only other information I still have is the auction title, “PROVIDENCE RHODE ISLAND RI HERBARIUM 1888 MAGNALL,” and the name and address of the buyer.


“Magnall” refers to Florence A. Magnall of Room 11, Providence High School, as a notation on the inside front cover informs us. She was the earnest student who wandered through field and forest on the margins of Providence searching out these specimens for pressing and preservation. I do recall that her notes were charming, and this was obviously for class work rather than personal interest. My own little girl is a big plant science major now, and she collated this for me, as one or two leaves (an appropriate term) were missing. And speaking of the scythe of time, what can be more ephemeral than one plant in trillions that is still with us over a century later?


Herbarium and Plant Descriptions

Rather than wax on about this subject, I thought it would be more interesting to look at the descriptions of every used copy of Herbarium and Plant Descriptions currently listed for sale on Abebooks.


Edward T. Nelson is the author or designer, and there seem to be two editions. They are listed here in descending order of price, which averages out to around $100 when you throw out the highest and the lowest. (Maybe this article will result in some sales!) Preserved images from my aforementioned copy are interspersed.


Pressed Plants

Pressed Plants

Pressed Plants

-Allyn & Bacon: Boston 1895. 10 x 7.5″, portfolio, boards, 8pp to text + 48 double pages, covers well worn, rubbed & soiled, waterstained, corners bumped & worn & fraying, only side tie remains, waterstained, interior paper spine covering detached, torn, creased & missing pieces, smudging, light soiling/creasing, edge tears, 38 of the pages filled in with specimens & notes: the first 24 well detailed, rest minimal, some sm pieces coming loose. Margaret Hefferhan (or Hefferon?) of East Stroudsburg, PA has numbered the blank sides up to 39 (with 37 absent). Wild geranium, jack in the pulpit, buttercup, daisy, veronica, violet. May 4 to June 30, 1901.


Pressed Plants
Pressed Plants

Pressed Plants

-Allyn and Bacon, Boston, 1895. Book Condition: Good. Octavo 7″ x 9″. A loose leaf field workbook with a cover in half cloth over printed boards. This one has been filled with pressed specimens contained throughout and described with the notes dated individually during the year 1903. The cover contains several prior owners’ names and stamps inside and out.


Hey, I took one last zoomed look at Florence A. Magnall’s work, and I’d forgotten that she recorded verses on the opposite page that relate to each sample. Entries about when and where she found the plants were probably up front with the index or something. Was this part of the assignment, or creative padding? Here is a lovely snippet borrowed from Erasmus Darwin, opposite the pressed anemone.


All wan and shivering in the leafless glade The sad anemone reclined her head; Grief on her cheeks had paled the roseate hue, And her sweet eye-lids dropp’d with pearly dew.


We’re glad you left us these frond memories, dear Florence Because the same pale recline happened to you.



Shawn Purcell operates Balopticon Books & Ephemera and can be contacted at http://www.balopticon.com.



 
bottom of page