top of page


David Klappholtz

David, when did you start being a book collector? Was it a particular book or subject that got you started?


At some point in the late 1970’s or early 1980’s I decided that I wanted to express my artistic side by learning and doing photography. As was my habit, I learned by reading…lots and lots of how-to books on the technical and artistic aspects of photography. My specialty, motivated by my then hobby of growing flowering plants, especially lilies and day lilies, was close-up (macro) photography of…flowers.


As has been the case with almost everything I’ve been interested in, I eventually became more interested in the history of the subject than in the doing…in this case, helped by the fact that I proved to have little or no artistic talent. I started reading contemporary books on photographic history, and eventually started haunting used bookstores to find older ones.

Aside: As a kid, starting at about age 10, I began taking the subway from Brooklyn to Manhattan to visit museums and libraries. At the main branch of the NYPL, I spent days reading issues of the NY Times from the period of the Civil War, a special interest at that time. On a few occasions I wandered past the used bookstores on Fourth Avenue, but didn’t know what a treasure I’d found, and didn’t have the money to take serious advantage of it.


At about that time, I wandered into an antiques show at the armory just south of Grand Central Station on Park Avenue. I was fascinated by the stereoviews, especially those of nineteenth century NY, another interest. I bought a few for what was very little money at the time, but wasn’t able to collect seriously as even the small amount I paid per slide was a real splurge for a young kid. Much later, in the late 1960’s, while I was in graduate school in Philadelphia, I bought a Civil-War era cabinet stereo viewer for, again, very little money to a true collector, but too much for a student. (I still have all the stereo cards and the viewer…as well as two Edison gramophones that I also bought — in Lahaska, Pennsylvania, when it was still a great antiques town — during my grad school years.)


Back to the late 70’s-early 80’s. As time went on, I developed an interest in the history of color photography, but found very little any older than the 1920s or 1930s. As I became more interested in the history of photography, I also noticed photography books, including at least one early book on color photography advertised in Shutterbug, the tabloid weekly in which photographic equipment is sold and traded. Shutterbug introduced me to mail order (catalogue) booksellers. I sought them out, including ones in England and France, and bought lots of good older books. I became obsessed with hunting books, received catalogues almost every day, and visited bookstores on trips to professional conferences. I began to become familiar with the open shop booksellers of Chicago, Washington, and a few other cities…like Traverse City Michigan, cherry capital of the U.S., where one conference was held every August and where, I noticed a few months ago, this year’s cherry crop was a total failure.


As a result of my interest in early color photography, I became very interested in our understanding of the physics of color and of color perception, and started buying books on those subjects. Since Sir Isaac Newton was the first to understand color the way it’s now understood, I started buying every book I found in stores and catalogues about Newton…at least those that I was able to afford. I read all the Newton biographies and can still hold my own with historians of science who don’t specialize in that period.


On a visit, probably about 1982 or 1983, to the one used bookstore in Westfield, NJ, near where I now live, I was searching for Newton material and picked up a book by, not Sir Ike but, rather, A. Edward Newton. At that time, when I got a new catalogue in the mail I quickly turned to the N’s. More than once I was excited by a “Newton” listing, only to be very disappointed when I discovered that it was an “A. Edward” Newton book rather than an “Isaac Newton” book. Who was this A. Edward character who dared to compete with one of the founders of modern science?


This time, though, I picked up the A. Edward book, started reading it, and didn’t stop until I’d finished at about 4:00 AM. The book was A Magnificent Farce — refers to Warren Hastings’ trial for treason when he’d never committed anything like treason. Newton was addicted to English literature, and was able to afford it in first editions, often with strong association value. He was interested in Hastings, not as a writer but rather as an eighteenth century British Governor of India, because Hastings had named his estate “Daylesford,” and Newton lived, in Berwyn, PA, along the Main Line just west of Philadelphia, across the street from a PRR station with the name “Daylesford.” One of the illustrations in the book was a ticket, from Newton’s collection, to Hastings’ trial. Other chapters of the book dealt with famous and not so famous English writers, Newton’s association copies of their books, their letters or their manuscripts, and with Newton’s hunt for literary rarities. I later found out that Christopher Morley referred to Newton’s essays as “printed personality.” The personality was appealing, and Morley was right. (By the way, I was ripped off for that first Newton book. It didn’t have a dust jacket, wasn’t a first issue, and was way overpriced at twenty 1982-83 dollars.)


How you go about searching for books on the internet? Do you still use methods of searching other than the internet?


I loved Bibliocity and Bibliofind because they allowed a full-text search of a book’s description; a specialist needs that. I love ABE because it allows the user to store wants and emails matches as new books are uploaded. At the moment I use ABE, passively, by reading matches. (I’ve perfected my many wants to the point where I rarely go to the ABE site to look for books or to add or modify wants.) I regularly use the ABAA web site because it allows full-text search…but doesn’t allow the user to store wants.


I rarely go to open shops any longer because there’s so much good material on the net. There are a few stores I do go to, mainly in L.A., currently the best open shop city in the U.S., because they don’t list all their stock in my fields of interest, which now include the history of book collecting and antiquarian bookselling in America and Britain.


If you are especially eager to obtain a copy of a particular book, do you buy one in lesser condition if that is all that’s available?


Yes, I recently realized that I’d never even seen a copy of the English edition of Newton’s Dr. Johnson, a Play, and bought a fairly ratty copy with no dust jacket. Nothing better has shown up on the internet, but I’ll buy it when one does. I care about the condition of books I buy “just” to read, but will buy a copy in bad condition if that’s the only copy available.


Do you upgrade to a better copy when one becomes available?


I’m always doing that with Newton books, but “better copy” can mean “better condition” or “has a good association value and the earlier copy had none.” Having learned about association copies from Newton, I buy any good association copy I can find of any Newton item — except in a few cases when the seller gets too greedy and sets a price two or three times the going market price. I have as many as ten or twelve really good association copies of some Newton books, and as many as 20-25 of a few of the Xmas issues. My goal is to have at least one good association copy, in dust jacket, of every issue of every Newton book printed during Newton’s lifetime. I’m not too far from that. I also own lots of letters and galley/page proofs, and some of the little extant manuscript material.


Have the book-related lists proven to be a good resource for finding books you’re looking for, or alerting you to books you didn’t know existed?


Unfortunately not. I’ve bought a very few really good items through the lists, but very, very few and not for quite some time.


Do you use search engines like Google to find new venues either notifying you of books you didn’t know existed…


I never have. Various online library catalogues have alerted me to the existence of previously unrecorded items, like a recent edition of This Book Collecting Game in Chinese. (My Chinese teaching assistant eventually got me a copy through friends who were visiting the U.S.)


…or for looking up facts that lead to variations on a theme of your interests?


I use Google for just about everything but finding books to buy…including identifying inscribees whose names I don’t recognize.


Are the descriptions by online booksellers usually adequate for your purposes in deciding whether a book is one you want or in the condition you want?


I can usually tell if a seller is knowledgeable;if s/he isn’t, I simply ask questions.


Anything in particular that “turns you off” in sellers’ listings?


“Very good for its age.” I’ve handled a Gutenberg Bible and have concluded that age and condition have little necessary relationship.


Do you only buy 1st printings of books in your interests?


As I’ve said, I buy every issue of every edition of anything Newton. When it comes to books about collectors, libraries, booksellers, etc., I used to do the same, but there’s not enough space and not enough money to do everything I’d like.


Are you interested in ephemera relating to your interests?


Finding ephemera is usually far more exciting than finding another issue of another edition, or even another title translated into Braille — have one — or Chinese…because they’re usually far scarcer…and many are not recorded in any bibliography. I have an extensive collection of prospectuses of Newton books and books to which he contributed an introduction or a chapter. I also have lots of announcements of talks by Newton and lots of invitations to get-togethers at his home, Oak Knoll; some of the most fun ones are invitations to marionette parties that Mrs. Newton gave for kids and their grandmothers. I also have lots of original Newton-related newspaper clippings.


I also collect material about book collectors’ organizations. I have lots of Grolier Club, Book Club of California, Zamorano Club, and Roxburghe Club ephemera; just had an auction lot of about two hundred pieces of California ephemera arrive yesterday.


What is the particular thing about Newton that keeps you so interested?


Newton had so many interesting close friends that an interest in Newton leads to all sorts of things, like most of the important collectors of his period, the Golden Age of Book Collecting in America, to the formation of great library collections, to the history of the teaching of English literature in American universities and those who pioneered it, many of whom were Newton’s friends, to Dr. Johnson’s literary circle, etc., etc. Even to the development of Philadelphia’s western suburbs, by railroad barons, in the late nineteenth century.


Can you give us a list of what you do collect?


Everything mentioned above except the history of photography; am still interested but don’t have enough space or money.


Are you a reader, as well as a collector (of things other than what you collect, that is)?


Yes.


If so, what types of kinds do you like to read on a more casual basis, just for enjoyment?


Technical material in my field — software engineering — and, to a lesser extent, the history of computers and computing. I enjoy my work, so technical and historical reading is enjoyable. I’d love to have time to read fiction, but am so busy that I don’t.


What other hobbies, interests, or recreation or arts, etc., do you enjoy?


I wish that visiting museums was an aerobic activity; I might be in better shape if it was. I’m interested in urban history — especially NYC, Chicago, and L.A., the three American cities which compete with London and Paris on cultural grounds — and in architectural history, mostly American. (Yes, I said “L.A.” Beyond the Hollywood glitz it has more cultural activity than any American city other than NYC. I love San Francisco; have lived in the Bay Area a few summers, but it doesn’t compare on density of cultural activity.) My wife and I both love crawling around red rock in the southwest and visiting historical sites. We’ve covered just about every square inch of CA, UT, and AZ, and quite a bit of NM, WY, OR, CO, and WA. We plan to see the rest of all these states as well as lots of western MT. We’ve also started spending time outside the U.S. again after a long period of traveling solely in the U.S. (We travel about six times a year, usually in connection with a professional meeting that I have to go to. There are trips to Japan and Spain coming up in the next few months.)


What would you like to tell us, business or personal, about yourself?


I’ve been a professor of computer science for about twenty-eight years; used to do technology research and currently do process research and pedagogy research. I love it and never want to retire. I have one wife, three grown daughters and the two cutest, smartest granddaughters in the world — all more important than work or books, as much as I love work and books.




 

Spirits were high and laughter was afoot at the Rocky Mountain Antiquarian Book Fair as noted mystery author and bookman John Dunning introduced Larry and Nancy Goldstone thus:


Out-of-the-Flames-9780767908368

When Larry the writer met Nancy ‘Twas much more than just fun and romancy. His book-writing career Got a kick in the rear ‘Cause her wit was not just happenstancy.


Now they’ve come on this western safari Like a pair of fine-tuned Stratavari They’re a twice-wicked brew — Without further ado Here’s the duo of Nancy and Larry.*





The Goldstones are book collectors, authors and charming raconteurs who shared their story in Denver on August 3, 2002.


It all begins with Leo Tolstoy and an attempt to save money. With birthdays just eight days apart, the couple decided to economize with a $20 spending cap for presents, so Nancy checked out the local used bookstores and found a Heritage Press copy of War and Peace. Price: $10.


She calls it “the most expensive thing I’ve every done in my life.”


That book was the beginning of an odyssey (or perhaps an obsession) that would take them from corner used bookstores to explorations of the rarest of the rare.


“We didn’t consider ourselves collectors, just people who wanted a library,” Larry said, explaining their naiveté and confusion. “Why would anybody pay more for the first edition of a book?”


That attitude would change with a weekend getaway to Boston, where they found themselves in the venerable Brattle Book Shop, snared by a 1st edition of The Night Visitor and Other Stories by Trevan. At $45, it was the most they’d ever spent for a book.


“We weren’t going to ever tell anybody how much we spent,” Nancy said. They also told themselves they weren’t ever going to spend that much again but, soon enough, they’d moved into the three digit range with firsts of East of Eden and 1984, and a fine binding copy of Bleak House.


The Goldstones chronicled their adventures in a series of books beginning with Used and Rare: Travels in the Book World in 1997, followed by Slightly Chipped: Footnotes in Booklore in 1999 and Warmly Inscribed: The New England Forger and Other Book Tales in 2001.


Dunning said in his introduction that the Goldstones “opened the book world to readers as they were discovering it for themselves.”


The Goldstones consider themselves “professional amateurs” who want to get people interested in the book world, and so they share with readers their discoveries of the quirks of the trade and the eccentric characters of the used and rare book world. They venture to book fairs, rare book libraries, museums and anyplace else where the mysteries of the book world might be revealed.


They even interviewed convicted forger Ken Anderson for Warmly Inscribed, which describes how Anderson’s forgeries were detected and eventually prosecuted, largely through the efforts of ABAA members (apparently it’s not an easy thing to convince law enforcement types that writing the names of dead authors in books constitutes a crime).


The Goldstones’ latest book is Out of the Flames: The Remarkable Story of Michael Servetus and One of the Rarest Books in the World, due out fall 2002. It tells the story of Servetus, who was burned at the stake as a heretic in the 16th century, and his book Christianismi Restutio, of which only three copies survived.


* © John Dunning

 


Oak-Knoll

Contact Info: 310 Delaware Street, New Castle, DE 19720

Phone: 302/328-7232

FAX: 302/328-7274


When was Oak Knoll Press started?


Oak Knoll started out in 1976 in New Castle, DE. We moved again, as we grew, and then in 1999 we moved to our current building, which was our town’s Opera House built in 1879.


Were all three of you involved in the start-up?


The business actually started with just Bob (Robert D. Fleck).

John von Hoelle was owner of Dyne-American Publications, which he sold in 1995 and retired. He was asked by Bob to take over his publishing division in 1996.

Michael Guessford has an extensive background in newspaper, media and retail marketing.


What actually was needed to start Oak Knoll?


Bob started the business with his extensive personal collection, which became our first catalog.


What gave you the idea of starting this publishing company, i.e., was it a niche that wasn’t being filled previously? 


A life long love of books and book collecting, and we wanted to specialize in books about books.


Had you (or any of your principals) been involved in publishing or the book world previously?


No.


Are or were any of you booksellers and, if so, new, used, or both?


Yes. Both new and used.


And do you continue to operate also as booksellers apart from Oak Knoll Press books?


Yes. Oak Knoll Books is the Antiquarian book selling part of the business. Oak Knoll Press is the publishing part of the business.


How did you decide what particular types of books to specialize in, and what are all your specialties?


Oak Knoll Books and Oak Knoll Press are specialists in books about books.

We sell, publish and distribute books in the fields of:

Bibliography, Book Collecting, Book Arts, Books about Children’s Books, Book History, Bookplates, Book Trade, Forgery, Censorship, Libraries, Publishing, Bookbinding, Book Design, Illustration and Graphic Arts, Marbling, Color Printing, Printing and Printing History, Papermaking and Paper Specimens, Topography and Typeface Specimens, Private Press Books and Fine Printing.


Can you give us some information on establishing and running a publishing house, i.e., is there a huge initial expenditure on equipment?


The expense is not in equipment; it is in capital required for production. No equipment needs to be purchased other than basic computers. All printing and binding is out sourced.


How hard is it for a publisher in the start-up period to attract the right personnel?


This is one of your most important assets.


How do you decide how many copies of any particular book to print initially?


Estimate sales for the first 18 months (based on intuition and 30 years of experience).


Do you keep publicly available records on how many copies of a 1st printing were done (this question coming from a bookseller who knows how difficult it is to get that information from many publishers)?


Yes.


How do you attract authors of books of the type you’d like to publish?


We advertise in our catalogs, web site, trade shows and conventions.

In a related vein, how much of publishing is automated now?


Very little. Some functions in the printing and binding are automated. Usually there is an inquiry about a manuscript. If this inquiry is within our publishing focus, we will ask for an outline (as stated on our web site). If accepted, the manuscript is first submitted in hard copy form (printed form). Corrections are done on the hard copy and sent back to the author for corrections, if needed. MS is sent to the typographer. And a dust jacket is designed on the computer. Then everything is sent to the printer.


I’m assuming unless you’re issuing a special limited edition of great quality on special paper in a small initial run that actual printing presses are not used anymore?


Printing presses are always used for our books. Our books are library quality and produced to last for centuries of archival use. Hard covers are Smyth sewn.


Are computers somehow hooked to actual printing presses, or are books printed now on high capability computer printers?


Yes, we use C to P technology.


Are special, very high quality books still handled by hand during the printing and binding processes?


None of our books are done by hand.


What can you tell us about your plans and/or dreams for the future for Oak Knoll Press?

We expect to become the leading publisher of books about books. We now co-publish our books with The Library of Congress, The British Library and 30 other prominent scholarly publishers around the world.


Where would you like to be, business-wise, in five years?


Still in business printing books.

In ten years?


The same.


Tell us about Book Fest IX that is planned for this coming October, please.


One of the largest fine press fairs in North America will be holding its ninth international celebration of the Book Arts at Oak Knoll Fest IX on Saturday, October 5 and Sunday, October 6, 2002. The fest offers an unique adventure for fine book lovers, collectors, and those wanting to learn more about the book arts to intermingle with fine press book traditionalists from Russia, France, Germany, England, Wales, Canada and the United States. Set in the historic, colonial town of Old New Castle, Delaware (on the Delaware River), this two-day event connects fine presses and their books with collectors, librarians, and booksellers.


Oak Knoll Fest Fine Press Exhibition will have 40 private press printing masters coming from Russia, France, Germany, United Kingdom, Canada and United States displaying and selling their fine press books. Miniature book private presses will also be displaying books.

Nicolas and Frances McDowall (husband and wife) of The Old Stile Press will be sharing their 23 years of fine press experience on Saturday, October 5, 2002 at 10:00 AM at St. Immanuel Hall in New Castle, DE. Nicolas (book designer, sometimes author, and printer of the company) will be speaking on the subjects of “Why do we publish the kind of books we do” and “Where do we get our ideas.” Frances (papermaker, promoter and ‘everything else’) will offer thoughts on “Papermaking for printer and printmaker” and “The need to respond promptly to librarians and collectors as well as pack parcels, keep account records and travel the world to book fairs!”


The Old Stile Press designs, prints by hand, and publishes books in editions limited to between 100 and 250 copies. These books involve texts of importance, whether new or reprinted, together with suites of wood engravings, woodcuts, linocuts and other relief blocks made by the artist-printmakers in collaboration with The Old Stile Press.


Nicolas and Frances both have said, “High technical standards are paramount, whether we use older printing methods or take advantage of new technologies and materials to achieve the results we desire. The operation has always been (and will remain) ‘hands-on’ for the two of us and entirely bounded by our capabilities, enthusiasms and energies at any given moment.”


To find out more about The Old Stile Press, go to http://www.oldstilepress.com.

Priscilla Juvelis of Priscilla Juvelis, Inc. (seller of rare and fine books including first editions, women’s authors, and 20th Century Book Arts) will be speaking to us on Sunday, October 6, 2002 at 10:00 AM at St. Immanuel Hall in New Castle, DE. Priscilla will be speaking on the “Contemporary Book Arts and their Historical Antecedents” – which will cover the development of the book arts from the beginning through to the present, using examples from various book arts including designer binding, calligraphy, artist books and private press books.


Priscilla Juvelis, Inc., a private dealer established in 1980, specializes in the sale of rare books and autographs to institutions and private collectors. Formerly associated with the late John F. Fleming of New York, Priscilla Juvelis is an active member of the international rare book community. A member of the Antiquarian Booksellers’ Association of America and International League of Antiquarian Booksellers since 1983, she served the ABAA as President (1998-2000), after serving as Vice President and Secretary and as a member of the Board of Governors from 1988-2002. She has served as President of the Massachusetts and Rhode Island Antiquarian Booksellers. She is a lifetime member of the Manuscript Society and served as a Trustee of that organization for three years. She is a member of the Grolier Club and the International Association of Bibliophiles. To find out more about Priscilla Juvelis, Inc., go to http://www.juvelisbooks.com.


Oak Knoll Books will also hold its once-a-year, two-day 20% OFF SALE on all antiquarian and new titles during the fair, including Oak Knoll Press titles. Oak Knoll Books is one of the foremost specialists in antiquarian and new books about books, the history of the book, and the book arts. Oak Knoll Press annually publishes 40 titles in these fields.


If you love fine, collectible books produced by masters of printing and the book arts, do not miss this rare chance to meet the fine press printers in person and see their books. Plan to visit this year’s fair to show your support for those carrying on the revered traditions of fine bookmaking and browse the thousands of titles offered for sale. Join other book lovers, collectors, and renowned private presses in learning about and preserving interest in the arts of fine printing and book collecting.


For more details, directions, and travel information, contact: Oak Knoll Books, 310 Delaware Street, New Castle DE 19720 USA. Phone (302) 328-7232 / Fax (302) 328-7274 / Email oakknoll@oakknoll.com

Has the internet had an effect on your business and, if so, in what manner?

Yes. It is a growing resource for sales and marketing.

How about some information about all of you involved with Oak Knoll Press?


Robert D. Fleck, publisher, 55, graduate of University of Virginia. He received his masters at the University of Delaware. He is past President of ABAA and incoming President of ILAB. He is married with four children and lives in New Castle, DE.

John Lewis von Hoelle, Director of Publishing, 62, masters at the University of Cambridge, UK. Member of the American Publishers Association and AFIO.

He is married with five children and lives in Wilmington, DE.

Michael Guessford, Marketing Director, 46, graduate of Wilmington College (DE).

Twenty-five years experience in marketing and publicity. He is married with one child and lives in Newark, DE.


Any advice for any of our readers who might be interested in getting into the publishing business?


Have a lot of cash!


Thank you so much for allowing us to interview you!



 
bottom of page